Alexander Ivashkin, was a Russian cellist, writer, academic and conductor. Shostakovich was always quiet about what his music "meant." He loved it so much, he learnt the whole piece off-by-heart in four days. 35, was completed by Dmitri Shostakovich in 1933.The concerto was an experimentation with a neo-baroque combination of instruments. those been transcribed. Taschenbuch. 110: String Quartet No. 1, Op. The second movement features a sad, mournful song for its main theme (0:51). Moderato 07:083. Supraphon, 2013. 6:13 PREVIEW Cello Concerto No. 1 in A minor, Opus 77, was originally composed by Dmitri Shostakovich in 1947–48. It’s an elegy composed of long, lyrical phrases. The next theme is one of Shostakovich’s Jewish melodies (1:38). Shostakovich Cello Concerto. The first theme of this movement is played by the string section after, followed by the new DSCH theme in the woodwinds. The Cello Concerto No. The Cello Concerto No. The cellos of the orchestra repeat this, accompanied by the solo cello playing fast sixteenth notes. It was well received, Oistrakh remarking on the "depth of its artistic content" and describing the violin part as a "pithy 'Shakespearian' role". Timecodes refer to the recording by Heinrich Schiff and the Bavarian Radio Symphony Orchestra conducted by the composer’s son, Maxim Shostakovich. Allegretto 00:35 2. The cello plays its second theme, which progressively becomes more agitated, building to a climax in bar 148. 22 February] 1885, with Sergei Taneyev as soloist and Max Erdmannsdörfer conducting. 1 (1959) starts with cello. He also plays the baryton, a rare instrument associated with music of Joseph Haydn. 3,9 von 5 Sternen 3 Sternebewertungen. See also Category:Works 1 By genre 1.1 Symphonies 1.2 Concertos 1.3 Suites 1.4 Miscellaneous symphonic works 1.5 String Quartets 1.6 Other Chamber/Instrumental Works 1.7 Piano 1.8 Operas 1.9 Ballets 1.10 Film scores 1.11 Incidental music 1.12 Choral 1.13 Vocal 1.14 Orchestrations 2 By Opus number 3 Without opus number Op. L'anomalie: Roman (Nrf) Hervé Le Tellier. Stamitz - Cello Concerto … More details. Er gab dem Violinkonzert die Opuszahl 77. 108: String Quartet No. A sweet, innocent song enters at the centre of the movement, but it’s eventually followed by a descent into musical tragedy as the cello line becomes increasingly aggrieved and impassioned (5:46). The finale’s opening theme is all contorted woodwinds before the soloist joins in (0:26). The concerto was an experimentation with a neo-baroque combination of instruments. 102, by Dmitri Shostakovich was composed in 1957 for his son Maxim's 19th birthday. There’s still a sense of discomfort, particularly in the dissonant string accompaniment. / i, wissenschaftliche Transliteration Dmitrij Dmitrievič Šostakovič; * 12. The bass instruments play a modified version of the theme, which is repeated by the solo cello after. 19 (Sony Classical) The second movement is initially elegiac in tone. Audio CD. Ironically, he was describing a huge piece. 35a 36 Music to the animated film The Tale of the Priest and of his Workman Balda: Chamber orchestra, chorus, and vocal soloists 1933–1934 Unfinished and partially lost. Shostakovich composed these two concertos for cello and orchestra in the space of seven years, and for the same (peerless) performer, cellist Mstislav Rostropovich. Listen to Shostakovich: Violin and Cello Concertos by David Oistrakh, Dimitri Mitropoulos, Eugene Ormandy, Mstislav Rostropovich & The Philadelphia Orchestra on Apple Music. 1 can't be forgotten once you've heard it. 4:52 PREVIEW Concerto for violin & orchestra No. 107 von David Oistrakh, Eugene Ormandy, Mstislav Rostropovich, The Philadelphia Orchestra, Dimitri Mitropoulos bei Amazon Music. This piano concerto was intended to be the last piece he wrote for piano. Sometimes the concerto is listed as being in the key of G, but the score gives no such indication. 77 & Cello Concerto No. Weitere Artikel entdecken. 85, his last notable work, is a cornerstone of the solo cello repertoire. PUBLICADO 2006 ℗ 2006 THE PHILADELPHIA ORCHESTRA. 1 in E Flat Major, Op. The legendary cellist Steven Isserlis calls it “tragic”, but also “probably the most exciting of all cello concertos.” That’s definitely true of the last movement, which is like a twisted carnival ride. 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